Bibliomania, 2004
Contribution to Simon Morris’ archive project.

List of books that have informed our lives, passions and practice. Final work seen on line.

A-Z London Street Atlas, Geographers' A-Z Map Company, 1998,
ISBN 0-85039-568-2.

Death of the Author, (from) Image, Music, Text, Roland Barthes, edited by Stephen Heath, Farrar Straus Giroux, 1978, ISBN 0374521360.

What’s Intangible, Transitory, Mediating, Participatory and Rendered in the Public Sphere? Andrea Fraser, October (from October 80.p.111-116 Spring 1997), 1997, ISSN 01622870.

Life Style, Bruce Mau, Phaidon, 2000, ISBN 0-7148-3827-6.

What Do You Expect From an Art Institution in the 21st Century? Directors of publication: Jerome Sans and Marc Sanchez, Imprimerie Balause et Marcombe, Canejan, 2002, ISBN 2 84711 000 3.

New Models for Growth and Profitability: Thoughts on annual reports, and how corporate culture feeds the document, Bill Cahan & Associates, Gingko Press, 2001, ISBN 1584231041.

Globalization, Malcolm Waters, Routledge, 1995, ISBN 0-415-10576-5.

Teach Yourself Postmodernism, Glenn Ward, Hodder Arnold Teach Yourself, 2003, ISBN 0340859709.

Understanding Copyright in a week, Graham Cornish, Hodder & Stoughton, 2000, ISBN 0-340 782412.

Copy Left Attitude: the Free Art License, http://www.

Helvetica: A Homage to a Typeface, Lars Muller, Lars Muller Publishers, 2002,
ISBN 3-907044-87-8.

Graphic Design: A Concise History, Richard Hollis, Thames and Hudson, 1996, ISBN 0-500-20270-2.

Simulacra and Simulation (The body in Theory: Histories of Cultural Materialism), Jean Baudrillard, translated by Sheila Faria Glaser, University of Michigan Press, 1994, ISBN 0472065211.

Inventory: Losing Finding Collecting (sporadic journal), Inventory 1995,

Moderna Museet Projekt Apolonija Sustersic / Exhibition Catalogue no. 288, Modern Museum, Stockholm, Sweden, 1999, ISBN 91 7100 607 9.

No Logo, Naomi Klein, Flamingo, 2001, ISBN 0-00-653040-0.

The Gift, Marcel Mauss, Routledge, 2002, ISBN 0-415-26749-8.

The Logic of the Gift: Toward an Ethic of Generosity, edited by Alan D.Schrift, Routledge, 1997, ISBN 0-415-91099-4.

Things Between Life, Kunst (Art) & Work, Paolo Bianchi, O.K.Center of Contemporary Art, 2000, ISBN 3-85415-252-3.

The Contemporary Picturesque, Nils Norman (edited by Stefan Kalmar), Book Works, 2000, ISBN 1-870699-43-2.

Fences and Windows: Dispatches from the front lines of the globalization debate, Naomi Klein, Flamingo, 2002, ISBN 0-007150474.

1000 Chairs, Charlotte & Peter Fiell, Taschen, 2000, ISBN 3-8228-5760-2.

The Producers: Contemporary Curators in Conversation: James Lingwood & Sune Nordgren, Matthew Higgs & Clive Phillpot, edited by Susan Hiller and Sarah Martin, Baltic / University of Newcastle, 2000, ISBN 1-903655-01-3.

The Producers: Contemporary Curators in Conversation (2): Gilane Tawadros & Hans Ulrich Obrist, Frances Morris & Charles Esche, Guy Brett & Deanna Petherbridge, edited by Susan Hiller and Sarah Martin, Baltic / University of Newcastle, 2001, ISBN 1-903655-03-X.

The Producers: Contemporary Curators in Conversation (3): Sharon Kivland & Adam Szymczyk, Ralph Rugoff & Richard Grayson, Lisa Corrin & Jon Bewley, edited by Susan Hiller and Sarah Martin, Baltic / University of Newcastle, 2001, ISBN 1-903655-05-6.

The Producers: Contemporary Curators in Conversation (4): Carolyn Christov-Bakargiev & Liam Gillick, Ute Meta Bauer & Mark Nash, Jeremy Millar & Teresa Gleadowe, edited by Susan Hiller and Sarah Martin, Baltic / University of Newcastle, 2002, ISBN 1-903655-07-2.

Curatorial Mutiny: Critical and Creative Texts on the Role of the Contemporary Artist and Curator, edited by Per Huttner, Sweden, 2003, ISBN 91-631-3247-8.

The Ice Cream Social, David Robbins, Purple Books / Feature Inc, 1998,
PS 3568-0222-883128.

Relational Aesthetics, Nicolas Bourriaud, Les Presse du Reel, 2002,
ISBN 2-84066-060-1.

Thinking About Exhibitions, edited by Ressa Greenberg, Bruce W Ferguson, Sandy Nairne, Routledge, 2000, ISBN 0-415-11590-6.

Making Soft Furnishings, Cheryl Owen, Paragon, 2002, ISBN 0-75258-271-2.

Sociological Perspectives, edited by Kenneth Thompson and Jeremy Tunstull, Penguin Books Ltd, 1971.

Jeremy Deller Life is to Blame for Everything: Collected work & projects 1992-99, edited by Rebecca Gordon Nesbitt, salon3, 2001, ISBN 0-9537456-0-0.

Where I’m Calling From: Selected Short Stories, Raymond Carver, Vintage, 1989, ISBN 0679722319.

Call If You Need Me, Raymond Carver, The Harvill Press, 2000, ISBN 1860467598.

Cathedral, Raymond Carver, The Harvill Press, 1999, ISBN 1860466036.

Short Cuts, Raymond Carver, The Harvill Press, 1995, ISBN 1860460402.

The Complete Short Stories, Franz Kafka, Minerva, 1992, ISBN 0 7493 9946 5.

The Joy Luck Club, Amy Tan, Vintage, 1995, ISBN 0749399570.

Literature, Popular Culture, and Society, Leo Lowenthal, Pacific Book Pub, 1985 ISBN 0870151665.

Strike, curated by Gavin Wade adjusted by Liam Gillick, Alberta Press London, 2002, ISBN 3-88375-637-7.

Six Years: The dematerialization of the art object from 1966 to 1972, Lucy R.Lippard, University of California Press, 1997, ISBN 0-520-21013-1.

Conceptual Art, Tony Godfrey, Phaidon, 1998, ISBN 0-7148-3388-6.

Rewriting Conceptual Art, edited by Michael Newman & Jon Bird, Reaktion Books, 1999, ISBN 1-86189-052-4.

Beyond Recognition: Representation, Power, and Culture, Craig Owens, University of California Press, 1994, ISBN 0520077407.

The New Oxford American Dictionary, Oxford University Press, 2001, ISBN 0195150600.

Dear Thank You Yours Sincerely, Atsuhide Ito, Pocko Editions, 2001, ISBN 1-903977-00-2.